There are times in our lives when we can become stuck or fearful about accomplishing some goal or moving forward with a project, or even getting out of bed in the morning. There are many tools we can use to overcome these roadblocks, from reading or listening to self help books, or spending time with a life coach or therapist. For some people drugs are an outlet. Then we have mentors like Lester Fu who helps people with hypnotism.

I met Lester in Santa Fe and experienced a hypnotism session with him to understand the power behind this mind altering method. I learned a lot and was so impressed, I now offer two recorded video sessions with Lester in the online Artist As Brand online workshop! He took time out of his busy schedule to chat with me about this unique talent.

Tell us a little bit about yourself and how you got interested in Hypnotism?

Growing up, like many people, the only thing I learned about emotions was to hold them back. However, that’s not the way to go because they come out in one way or another. In order to get more in touch with myself, I was attracted to theater, philosophy, and psychology from a very young age. Some of the places that I have had the privilege to go to and learn from are Royal Academy of Dramatic Arts, St. John’s College, and UC Berkeley.

I got into hypnosis when I was looking for something to help myself. I did talk therapy, and worked at a psychology lab in UC Berkeley. Both experiences were fun and enriching. However, at one point I felt like I ran out of things to say in talk therapy - it’s like I’m still processing things inside, but I don’t know how to talk about it. And the work at the psychology lab was a little too academic for me.

So I searched for other things to help myself, and that’s when I found hypnosis. Despite the fact that I was very skeptical, I was able to connect with my subconscious mind in hypnosis, and got in touch with what I didn’t know how to talk about in therapy. It was a very cathartic experience involving a decent amount of tears and nose bubbles and some really good emotional release.

Now I work as a professional hypnotist focusing on helping people feel more confident and secure in their relationships by releasing anxiety, fear, insecurity, and self-doubt.

What would you say are the three top benefits of hypnotism?

1. Connect with your subconscious mind to gain more clarity (e.g. help you get in touch with your inner voice and what you truly want)

2. Tapping into your internal wisdom for insights and guidance (e.g. access the answers that you already have inside)

3. Creating powerful positive changes in a relatively short amount of time (e.g. overcome insecurity and feel more confident)

How can this practice benefit those creating their own art businesses?

In general, it can help with unleashing your creativity, getting more aligned with your “why”/ heart virtue, help you remove blockages and feel more confident when it comes to promoting your work.

Are there negative or fear based preconceived ideas to hypnotism?

Yes, and I think we have all heard of the stereotype of “quacking like a duck”/“clucking like a chicken”. Most of the misconceptions about hypnosis come from the fictional idea of “mind control”, whereas in reality hypnosis is more like a guided meditation for your subconscious mind - you are aware of what’s happening and you are actively participating in the process.

I have not experienced any negative results from hypnosis, apart from occasionally (actually fewer than you think) people fall asleep during the session and I need to find creative ways to wake them up and continue the session.

Are there cultural differences in the context of how hypnotism works?

For cultures that are more open to internal reflection and spirituality, hypnosis is a very good method to help people access their inner mind. It may take some more time at the beginning to prepare and explain to people - who are from more analytical cultures - in order to get on the same page, and have a good and informed experience with hypnosis.

What are the biggest lessons you have learned from practicing hypnotism?

There’s a lot but here are 3 of them:

1. A huge part of our experience slips from our conscious awareness. Curiosity is the key to unlock a massive amount of treasure within ourselves.

2. Change can often happen faster than we think - it doesn’t have to take years or even a lifetime. It is essentially a deep learning/ re-learning process for the subconscious mind.

3. There’s so much more within us, and there’s so much more we are capable of, that we may or may not be completely aware

Do you ever hypnotize yourself? If so can you share some of that experience?

I go into hypnosis myself very often. We naturally enter different states of attention and awareness throughout the day. For example, before we are fully awake in the morning, or before we are fully asleep at night - we tend to have a very “hypnotic” experience and it’s fun to pay attention and play with it. Also, when meditating or doing things of that kind, we enter a similar state to hypnosis.

Personally, I don’t necessarily distinguish these experiences from hypnosis. If anything I play with them and notice what my mind may be revealing to me as I do that.

Everyone can learn to go into hypnosis/trance/hypnotic states/theta brainwave state intentionally, just like how everyone can learn to meditate.

Any final pearls of wisdom on how hypnotism can become a daily tool for success?

Knowing our mind can change and is changing all the time opens up more doors and reveals more possibilities than we could think.

Thank you Lester, for your insights and the benefits of hypnotism. I learned even more with this interview! You may work with Lester directly from anywhere in the world, simply contact him at his website. Otherwise sign up for the Artist As Brand online workshop and experience Lester in two video sessions. Enjoy!

We cannot live happily by spiritual sustenance alone nor by material prosperity alone. It is only by having ambition and by crowning that ambition with the idea of service to others, either by helping them individually or by working for some great cause, that you will find a spiritual reason for making money for yourself and others. To help others to help themselves also spiritualizes ambition. An Almighty Power has linked us all together. Whenever you help others you are helping yourself. “

-Paramahansa Yogananda

Mahatma Gandhi once stated, “The best way to find yourself is to lose yourself in the service of others.”

Understanding this simple concept aligns us to the power within ourselves and to the world at large. Much of the Artist As Brand philosophy revolves around this truth. Know Thyself begins the journey.

Here is a great article on The Power of Service.

Artists with a store front? Yes, artists can embrace the brick and mortar store as well as a digital shop. Check out Three Fish Studios who do it all in one space, with classes too. This is an option for a group of artists who want to make a splash in their local community as well as online.Annie Galvin and Eric Rewitzer, painters and printmakers, husband and wife, create original and affordable art in their home/studio/store near San Francisco. Go here to see how they do it.

If you are using the Artist As Brand® principles to promote your products then you know that High Touch Marketing is key to your success. That means finding the right venues to meet your people.

If you are selling a book then schools that are appropriate to your market are great places to meet your fans. Kevin Gerard is a children's book author who has visited hundreds of schools presenting his stories and selling lots of books too. 

Check out this post on the Publicity Hound and learn how he does it. This is an older interview but still relevant today.

Whenever a new idea is born it is often greeted with awe, disdain or simply, ‘What?’

When the synapses in my brain aligned to create a class on artist empowerment and prosperity, it was crystal clear as to the concept and worth of what I was manifesting. However, the idea of Artist As Brand is so unique to any education taught in any school, college or university out there, so it's understandable that there are some questions about what it is I teach exactly. This post is going to clarify the principles/manifesto of this course (some call it a movement) and exactly what value you will receive from your time and $295 investment.

What is Artist As Brand?

The goal of Artist As Brand is to connect the individual to their purpose, art and prosperity. Connecting your art deeply with your truth creates a mark that is so authentic and profound it embodies a unique power. Align this vision with your individual collectors through targeted marketing techniques and you begin to build a one-of-a-kind art empire that can sustain you financially for the rest of your life.

ARTIST art·ist [ahr-tist]–noun 1. A person who produces works in any of the arts that are primarily subject to aesthetic criteria. 2. A person who practices one of the fine arts. 3. A person whose trade or profession requires a knowledge of design, drawing, painting, etc… A commercial artist. 4. A person who works in one of the performing arts, actor, musician, singer; dancer, public performer. 5. A person whose work exhibits exceptional skill.

BRAND [brand]–noun and verb 1. Kind, grade or make, as indicated by a stamp, trademark or the like. 2. A mark made by burning or otherwise, to indicate kind, grade, make, ownership, etc… 3. A kind or variety of something distinguished by some distinctive characteristic. 4. To impress indelibly. 5. A brand name.

The essence of these two words together can be defined thus: A creator who has made their mark!

Some fine artists scoff at the word brand. Whether you like the word or not, all visionary creators throughout time who have made their mark on humanity are brands. They are remembered for their impact on the collective consciousness of the planet and many are household names. I call the Artist As Brand workshop an artist boot camp because it is highly focused with the intention of aligning and defining (in some instances re-aligning and re-defining) the purpose and direction of an individual's career path. We start deep in the heart and move outwards connecting your talent to your marketing, patrons and collectors so there is perfect alignment.

The knowledge for this workshop is derived from 28+ years working as a professional artist inside and outside of the publishing, film and gallery industries as well as teaching higher education.

The following is an outline of the course and what students will learn and come away with. This is an evergreen online course. Students get lifetime access to the course including all future updates and resources.

MODULE ONE: DECLARE YOUR PURPOSE: You will learn your Core Virtue. Knowing your core virtue is the first step to establishing a foundation which your career is built upon. This intimate part of yourself is a driving force in your life. It goes deeper than your art. Declaring your core purpose aligns your heart with your art in a profound manner.

Design a Personal Logo/Heraldic Shield: You will create a simple image that will represent what you just learned about yourself. It will represent your Core Virtue.

Design a Vision Board: This template is defined by everything you love in your life—what turns you on and keeps you motivated as a unique individual. The Vision Board represents the niche markets that will be your domain and will make up your one-of-a-kind art empire.

Practice The Art of The Blurb: You will learn how to introduce and represent yourself to people. Most artists do not have a clue how to speak with others about who they are and what they do. This exercise is designed to increase your confidence and generate interest in who you are and what you have to offer.

Every workshop includes special lectures by esteemed individuals who encompass the Indie Art Spirit. Guests include art writer Peter Clothier, licensing expert Maria Brophy, social media master and botanical perfumer Roxana Villa.

MODULE TWO: PLAN YOUR BRAND: You will learn to design your art and product line. We will look at artists who are successful in this area and discuss new approaches to making income from your art. We will define what art and products can manifest from your Vision Board.

Create An Innovative Marketing Blueprint: You will learn to create a marketing blueprint that integrates high tech and high touch medias. We look at these two very different but synergistic marketing models. You learn how to best utilize these promotional mediums.

Learn The Simple Yet Powerful Art of Business and Commerce: Are you an art hobbyist or an art professional? This is a short lecture on straight up, common sense business practices. If you are selling art, you are a business. Start acting like one.

Connect With Artist Entrepreneur Leaders: Learn to create a community and hook up with those who are successful in order to keep yourself inspired and in the company of great people.

MODULE THREE: EMPOWER YOUR PROSPERITY: Commit to sustainability. You will design a five-year marketing strategy that takes a serious look at your finances, living situation and overall goals personally and professionally. What is possible? Connecting to your BHAG (Big Hairy Audacious Goal).

Recognize the Potential of Team Building and The Power of a Mastermind: Your peers can be some of your greatest assets from a personal, professional and moral support capacity. You will start this process right in the class!

Conceptualize a Product Ready for Manufacture: We begin to look at the details of what it’s going to cost in labor, time and materials to create a product from start to finish.

Review: In addition participants will have access to other career enhancing promotional opportunities only available to Artist As Brand students! Some of these details can be found on the ABOUT page. Now you are ready to create your own Art Empire!

I hope this information helped to clarify the purpose and design of my class. Come on and join the Indie Art Revolution! Sign up today! Lifetime access is included and you may complete the class online at your own pace.

See what participants are saying.

To Your Artist Empowerment and Prosperity,

—Greg

Do you live your life from the outside in? Or from the inside out?

With our responsibilities, bills, relationships, media and all the stuff we fill our existence with, much of the time it's as if the world is telling us how to live our lives. It's no wonder we feel we are pulled in many directions at once and have less time in a day to accomplish our goals, let alone think about ourselves.

In the cult of multi-tasking with electronic gadgetry, (which my students insist does not impede upon their studies) research is showing that it does not really help us to focus or accomplish our tasks any more efficiently throughout the day. When the circumstances of the world feel like they dictate our every move, we can become overwhelmed. Sound familiar? Much of this depends on how we perceive ourselves and the reality around us. Perception is an act of creation.

One of the blessings of my creative life is the ability to brainstorm and manifest lots of ideas. Once my mind gets those RPM's up to speed, it’s hard to stop—especially when I want to sleep at night. When I found the secret of meditation it calmed the chattering monkeys inside my head enough for me to rest. However, the real benefit of meditation for me came from the introspection that graced my consciousness over time. I learned the benefits of living from the inside out.

This post is not so much about the virtues of meditation as it’s about taking some time to understand who you really are and what you are really about. When you live your life from the center of your being, events around you begin to look very different.

Greg Montana is a life coach committed to seeing people discover and follow their true purpose. He helped me see mine clearly so I can help others too. Greg has a freetransformational teleseminar that you might want to check out. Another path to finding who you are is to have a good conversation with yourself. This may sound crazy at first, but its just another form of introspection. Check out this Blog post by Chris Guillebeau and take a step inside who you really are. Once you start living from the inside out you will view yourself differently, understand your motivations more clearly, make decisions more calmly, and probably get a better nights sleep!

To your truth!

—Greg

100 Days Without Fear.

Fear can prevent us from living life to the fullest. Often, we get stuck in familiar patterns and never break out of them because staying in familiar territory, no matter how unfulfilling, gives us a sense of safety. The underlying truth, however, is that when we are not living up to our fullest potential, we are allowing fear ( sometimes unconscious fear) to stop us. This can lead to frustrations and resentments and yet, each of us holds the key to our own freedom: The freedom to face our fears and see what’s on the other side!

Michelle Poler, originally from Caracas, Venezuela, is a graduate from the School of Visual Arts. A few months ago, she quit her job as an Art Director to develop what started as a school project and turned into a life-changing experience. Michelle decided to face all of her fears for her project 100 Days Without Fear. She had originally planned to just become a braver person. What she didn’t plan was to inspire millions along the way.

Through her experience facing 100 fears, Michelle Poler learned how we deal with fear, the types of fears we face in life and the process through which we are able to manage the anxieties and accomplish great things.

I hope this video inspires you in your creative journey. The possibilities are endless!

In a recent post I celebrated Sean Fitzgibbon who finished the Artist As Brand Workshop, embraced the principles and then reaped the benefits. When he finished his graphic novel grand opus, “What Follows is True: Crescent Hotel” I was curious about the evolution of the story and comic, but also how he managed to fund such a beautifully printed, high end, hard cover book with a slip cover.

Sean shared that he had crowd funded the project through Kickstarter and pulled in almost $29,000. I asked him if I could interview him about the process and he graciously agreed. His responses were a gold mine of crowd funding knowledge! Below are a few excerpts from the interview.

Sign up for the Artist As Brand Online Workshop and access the entire interview!

-Tell us a bit about the journey of creating the story for your graphic novel, “What Follows is True: Crescent Hotel.” What piqued your interest in this particular story?

When I was a kid my family would visit Eureka Springs, AR. I was always intrigued by its charming, Queen Anne dwellings perched on limestone bluffs, steep elevations, and serpentine roads that don’t intersect.  However, the most compelling and mysterious feature to me has always been the 1886 Crescent Hotel with its bizarre, dark and varied history. Years later I stayed at the hotel and went on the ghost tour.  What lingered with me was the story of the fraudulent medical practitioner that transformed the hotel into an abnormal hospital. Elements of Mary Shelley’s Frankenstein and Stephen King’s The Shining left me morbidly intrigued.  Who was he and how could something like this have happened?  After conducting extensive research, I learned of his assorted and controversial past.   

-As you wrote the story and worked out the panels of the comic, did you decide to roll out the comic as a series, or was the goal to premier the final product as a finished graphic novel? What was your strategy?

This was my first attempt at a full-page graphic nonfiction book, so the process was all new to me. I always envisioned the book as a standalone piece.  If I were putting together the book today I probably would have broken it up into smaller segments and combined them as a way to build up interest in the project as I’m working on it. However, when I was working on this book I was working on many other art projects as well so the release of various segments or chapters of the book would have been irregular. Nowadays, I’m focusing primarily on my “What Follows is True” series of books so when I’m working on larger books, I can release small segments in regular intervals and then combine them into a nice hardcover edition. 

-After you decided to produce a series or a finished graphic novel was the plan to find a publisher or did you decide to go another route and self publish?

 My original plan was to find a publisher once the book was completed so I submitted to literary agents but was unable to stir up any interest. Just as I decided to search for publishers on my own, I was contacted by a literary agent who is also a working graphic novelist. He represents both graphic novelists and children’s book authors. He submitted my book to major publishers for one year and despite the praise the book received from many publishers, none decided to take a chance on the book. Publishers have become extremely risk adverse to unfamiliar projects and authors whose work they feel doesn’t fit into a specific niche. Nonfiction books are common but graphic nonfiction books are not as well known. 

 After careful consideration I decided a crowd funding platform to fund the printing costs of my book would be the best option. I then had to figure out which platform was right for my project. After researching the various platforms, I chose Kickstarter because it’s a major platform that focuses on creative projects like art, music, film, and it is well curated with quality products and the fees are reasonable.  

-After you decided to crowd fund the project what was your promotion strategy at this point?

Most of my promotion at this point was from my website and social media platforms like Facebook, Instagram and Twitter. I find online platforms to be a decent way to promote your work but it’s also passive and I prefer to connect with people directly, so I knew I had to come up with a more effective way to reach potential backers. 

-I understand that there is much preparation and organization for the Kickstarter campaign. Can you share some of the highlights and main points for pulling it together?

 Once I decided on using Kickstarter for my campaign I began learning as much as I could about how the platform works and how to run a successful campaign. I read various books about the platform and listened to a very insightful podcast called Comix Launch.I also had to think about budget and printing costs, production, shipping etc. and I’d use this information to set my funding goal.  

 Another important factor to consider when preparing a Kickstarter campaign is the readability and design of your Kickstarter page. I researched similar projects on Kickstarter that were successful to understand how they built their page. I made sure that not only was the site well organized and user friendly but also that the overall aesthetic worked well with my book and overall brand. Videos are also a very effective way to engage potential backers and tell them about the project, so I created a trailer for my book utilizing iMovie with images from my project. 

 Also, Kickstarter is more than a platform, it’s a community, and before launching my campaign I made sure to support other Kickstarter campaigns that were similar to mine. Potential backers see that you’ve supported other projects, and you get to see how the process works from the backer’s standpoint. Most importantly it makes you feel good to invest in the success of another project.

Thank you Sean, for sharing your process!

Sign up for the Artist As Brand Online Workshop and access the entire interview. After reading it you will be informed and inspired to create your own successful crowd funded project.

I like to celebrate individuals who finished the Artist As Brand Workshop, embraced the principles and then reaped the benefits. Sean Fitzgibbon is one of those people. He attended my live class years ago, and then slowly finished his graphic novel grand opus, “What Follows is True: Crescent Hotel.”

Sean crowd funded the project through Kickstarter and pulled in almost $29,000. He has since then been promoting the book at different venues to great effect. “I learned more about the business and marketing aspects of being an artist from Artist As Brand® than I did in both undergraduate and graduate school.”

Sean recently reviewed the new Online Workshop and remarked, “I find it so inspiring and invigorating! I can't tell you how many times I've recommended your course to various students over the years. In fact I was giving a lecture to students at the University of AR at Monticello on Wednesday and I mentioned Artist As Brand in my lecture as being one of my biggest influences in building my career as an artist.”

“I loved visiting the new additions to the course workbook such as the updated videos, artist examples and interviews. Also, the updated use of social media applications and Google Analytics and other statistics services. I also was unaware of Funnel Software. I found this extremely helpful as well. “

Sean is such an inspiration that I intend to interview him in the near future to share more of his experience. I have hundreds of success stories like this that I will be sharing throughout the months.

Take one step into the Artist As Brand Online Workshop and your art career will never be the same.

Grow a voice- by Roxana Villa

Out of the box solutions for selling art and promoting it, get people’s attention. One suggestion is to start an Art Block Party. Gather all your neighbors who have some talent to share (artists, musicians, chefs, etc.), go to the city to get a permit to close down your street to traffic, then send out flyers promoting your amazing outdoor event to showcase the talent of the community. Now you have an outdoor gallery!

Betsy McDermott Altheimer, associate director for an artist service organization called Springboard for the Arts, located in the Twin Cities had another great idea for selling art. She was inspired by community-supported agriculture (CSA), where consumers receive a monthly lot of produce through purchasing shares in a farm. She thought if it works for farmers it could work for artists. “We should just do a CSA! Only this time, the ‘a’ would stand for ‘art.’”

Altheimer believes that food systems are the perfect metaphor in the reality of today’s art scene. “People have this mythical notion of what a farmer does. In reality, there is a lot of risk. You can’t guarantee every crop will be successful,” says Altheimer. “Likewise, an artist can’t guarantee that everything they do will be great. But he can ask people to invest in the value of what they do.”

Each season, nine artists participate. By signing up for a $300 share, a patron receives nine original works, plus admittance to three parties where the artists will be in attendance. Of course where the program seems a little less than ideal is the artist’s commission — for producing 50 pieces, he or she will only receive $1,000. But it’s up to the artist to create small, sensible works with a budgetary restriction in mind. Limited Edition prints might be a way to go.

The hope is that the artists will pick up new fans and patrons who will continue to follow and collect their work beyond the CSA share. “Our version of success is when the relationship continues beyond us,” affirms Altheimer. Check out her interview and then start your own CSA. If you have other ideas let me know and I will share them in a post.

Here are two more inspirational blog posts that will pump up your powers of introspection.

1. Right now is a great time to take a good look at the past year, reflect on your accomplishments and business strategies. Go to this Etsy post for some insight.

2. Caroline Myss is spiritual teacher who says she's living the life her soul was meant to lead. Caroline says everyone has the ability to fulfill their own "sacred contract"—a set of assignments the soul is meant to achieve. This dialogue between Caroline and Oprah touches on some of the Heart Virtue work we do in the Artist As Brand® workshop. Here.

Business tips 101. Check them out...

-20 tips for dramatically better emails and more growth hacks any small business can implement.

-A pattern exists in internet communities where 1% of people create the content, 9% will edit or contribute and 90% will watch from the sidelines. 

Focus on the 1

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Peter Thiel’s Zero to One

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World Standards Day

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Emailing a busy person

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Build a channel sales program like HubSpot

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Cold calling

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No such thing as retirement

What sustains your creativity?

Could it be new electronic toys, fashionable attire, fascinating information, splendid entertainment, food, money, sex, drugs, rock and roll?

Long term creativity is sustained by your heart. Creativity connected to your true essence will sustain you for the long run. When not in alignment with your core virtue, boredom, unhappiness, and lethargy creep in.

Creativity is like the electrical juice coming from a car battery. If the engine is hooked up properly it recharges the battery allowing it to last a long time. If there is a disconnect somewhere and the battery does not receive that returning jolt of energy, its power is drained and can die much faster than expected.

Loving what you do will help you keep on keeping on when ideas become scarce and economic downturns put the squeeze on.

The Los Angeles Times article on "A writing career becomes harder to scale" by Dani Shapiro talks about the struggles authors expected to confront  as they gained experience in the publishing world. But now it is sell -- or else. Writers like visual artists must confront the realities of a changing publishing paradigm when it comes to promotion and selling product. In the face of these changes focusing on the source of your power  keeps the battery of creativity charged and ready to go.

Knowledge of your product line, marketing tactics, long term strategies  work only if they are built upon the foundation of knowing what you love. Those individuals who are connected to the source of their true being whether selling their art, writing, music, film, etc. can keep a career energized.

Shapiro reflects, “Each time we sit down to create something, we are risking our whole selves. But when the result is the transformation of anger, disappointment, sorrow, self-pity, guilt, perverseness and wounded innocence into something deep and concrete and abiding -- that is a personal and artistic triumph well worth the long and solitary trip.”

Remain committed to empowering truth within yourself, then experience the bliss of your artful journey.

EMPOWER YOUR TRUTH, ENERGIZE YOUR ART INCOME WITH THE OCTOBER ONLINE GROUP WORKSHOP! SIGN UP NOW.

What does Artist As Brand mean?

ARTIST art·ist [ahr-tist]–noun

1. a person who produces works in any of the arts that are primarily subject to aesthetic criteria.

2. a person who practices one of the fine arts.

3. a person whose trade or profession requires a knowledge of design, drawing, painting, etc.: a commercial artist.

4. a person who works in one of the performing arts, actor, musician, singer; dancer, public performer.

5. a person whose work exhibits exceptional skill

BRAND [brand]–noun and verb

1. kind, grade, or make, as indicated by a stamp, trademark, or the like.

2. a mark made by burning or otherwise, to indicate kind, grade, make, ownership, etc.

3. a kind or variety of something distinguished by some distinctive characteristic.

4. to impress indelibly.

5. a brand name.

What do Michelangelo, Beeple, Geogia O’Keeffe, Andy Warhol, Tom Cruise, Auguste Rodin, Apple, Beyonce, Frida Kahlo, Porsche, Picasso, Damien Hirst, Mark Ryden, Annie Leibovitz, James Jean, Greenpeace, Maxfield Parrish, Ray Bradbury, Joseph Beuys, and Emily Blunt, all have in common? They are all brands. A brand is a purpose transformed into a product or service that connects to people, the planet, and beyond.

The key word here is purpose, and specifically your purpose. This is where the heart of your essence resides, where your most potent art manifests, and the strength of your perseverance matures. The purpose inside you aligned with your personal vision is the foundation of your creative power. When your heart is joined with your art, a vital one of a kind signature is formed. This brand is unique to you and your intimate product.

The word “brand” is derived from the Old Norse brandr, meaning “to burn.” It refers to the practice of burning a mark (or brand) onto a products.

The artist’s mark is unique to its owner even if its a copy of something else. However the ambition of most artists is to make a mark that touches their so audience deeply, it burns this symbol into memory. The lifetime of a creative mind can burn a series of meaningful marks into the mindset of a generation, but if their passion is great its possible to start a fire that contributes a brighter light to the world.

Sign up for the October, Online Group Workshop. Your art, life and prosperity will never be the same!

This post is about the courage it takes to create a career your way. Artist and writer Debbie Millman presented a commencement speech on the virtues of following your path (also in her new book, Looking Both Ways). This is her art...

Continue to read more and also listen to Debbie HERE ...

A decade ago I connected with award-winning writer, documentary filmmaker and scholar, Douglas Rushkoff after reading his book, Life Inc. The book explains how the history of the corporation manipulated the way we approach commerce, and its influence in all facets of our lives. It was a revelation and the premise of the concept fit perfectly with the Artist As Brand philosophy and curriculum…

WE ARE SOVEREIGN CREATIVE INDIVIDUALS not to be ruled by corporations, banks, governments, who harken back to the ignorance of the Dark Ages.

It’s up to us to create a new economy based on the value of what we can bring, as individuals, to the world.

Understanding the history behind life styles, and economic models we grew up with, can help us create new ones. Watch his nine minute film and you will see your potential in a whole new light.

As creative individuals we do not need to fit into outmoded industrial paradigms, or conversely, todays overly hyped technological future. Be the change you want to see in your world.

There’s something to notice about successful people: they act quickly, even if they fail.

This following piece is from Fail Fast, Fail Often: How Losing Can Help You Win by Ryan Babineaux, PhD., and John Krumboltz, PhD.

They share a fascinating story about a ceramics teacher who tried an experiment with his class. The teacher divided the students into two groups. Those sitting on the left side of the studio were to be graded solely on the quantity of their work, while those on the right, solely on the quality. The instructor informed the students in the quantity group that a simple rule would be applied to evaluate their grades: those who produced fifty pounds of pots would get an A, those who produced forty pounds a B, and so on.

For the quality group, the instructor told the students that he would assign a course grade based on the single best piece produced over the duration of the course. So if a student created a first-rate pot on day one of the course and did nothing else for the term, he would still get an A.

When the end of the quarter arrived and it came to grading time, the instructor made an interesting discovery: the students who created the best work, as judged by technical and artistic sophistication, were the quantity group. While they were busy producing pot after pot, they were experimenting, becoming more adept at working with the clay, and learning from the mistakes on each progressive piece. In contrast, the students in the quality group carefully planned out each pot and tried to produce refined, flawless work, and so they only worked on a few pieces over the length of the course. Because of their limited practice, they showed little improvement.

More...

Learning to create a new economic paradigm for yourself can feel daunting. We all want to relax in the lap of corporate and economic models we were brought up with, even though most people hate their job. There is security knowing we are going to be taken care of by larger business entities that have planned for economic downturns and other market changes, right?

There will always be a job out there for us, right?

However, who just wants a JOB (just over broke)? Most people today are looking for a vocation that aligns with a deeper purpose. A job can work out fine if it aligns enough with who we are as a person. Even flipping burgers can be a start for something larger if your calling is about becoming a chef!

Living as a freelance artist for 28 years gave me a certain perspective on the economy as I had my feet in the corporate world but still remained independent of it. Living and working as a sole proprietor gave me a certain resiliency and exercised my creative brain powers into thinking differently. Cranking up my innovative capabilities or aligning with those who were in "the flow" increased my chances for manifesting other income possibilities.

Check out this great article 10 Artists Explain How They Became Art Entrepreneurs. Innovation and re-invention are vital components to creating new paths of success– like taking the best of the Artist As Brand Workshop and turning it into a self guided online version. Create your own economy, in your unique new way!

Heads up! The Artist As Brand June Discount is ending July 1st! Save $100 on the online course which includes an hour consultation!

Whenever artists decide to go it alone, make their own way,  fear comes along for the ride.

As freelancer for so many years I understand where this fear comes from. The goal of being secure in your finances, being safe in general  (food, clothing, shelter) are real considerations and pounded into our brains since we were kids. However fear is also an illusion. What would it feel like if the concept of security was an illusion too? Would it freak you out?

We live in an unpredictable world. What I have learned over these many years of going it alone is that security is an illusion. Making friends with that reality brings a sense of freedom and empowerment. I can do what I can in this moment to live in my highest potential and reap the fortunes of what life has to offer. It is a mind set most people are not used to.

The following is short post by Chris Guillebeau that touches on this concept too:

“Micro-entrepreneurship is changing the world. The best opportunities in the new economy are centered on creating your own assets. It doesn’t matter who wins a U.S. election, at least not in terms of how the economy affects you. No matter what happens, the unemployment rolls will continue to be full. Perhaps even worse, many people will remain underemployed by working at jobs that offer few benefits and little opportunities for advancement.

Speaking of opportunities, however, there are now more than ever before. It’s never been easier to take matters into your own hands. All over the world, people are thinking differently about risk and security, and many of them are taking action on their new perspectives. This is a good thing.

What is risky? Whether you work a “real job” or strike out on your own, relying on someone else is risky. What is secure? Creating your own freedom through side projects, independent work, instant consultancies, and creative self-employment of all kinds. What is freedom? The ability to make your own choices. Ultimately, freedom relates to value, which is taking responsibility for yourself by making something valuable for someone else. More...

Fear prevents us from living life to the fullest. Through her experience of facing 100 fears, Michelle Poler learned about the types of fears we face in life, and the process through which we are able to manage anxieties and accomplish great things.

Michelle Poler, originally from Caracas, Venezuela, is a graduate from the School of Visual Arts. What started as a school project turned into a life-changing experience. Her project, 100 Days Without Fear started with the plan to become a braver person. What she didn’t plan was to inspire millions of people along the way.

This was a project from 2015 but its spirit of empowerment is timeless.