Whenever a new idea is born it is often greeted with awe, disdain or simply, ‘What?’

When the synapses in my brain aligned to create a class on artist empowerment and prosperity, it was crystal clear as to the concept and worth of what I was manifesting. However, the idea of Artist As Brand is so unique to any education taught in any school, college or university out there, so it's understandable that there are some questions about what it is I teach exactly. This post is going to clarify the principles/manifesto of this course (some call it a movement) and exactly what value you will receive from your time and $295 investment.

What is Artist As Brand?

The goal of Artist As Brand is to connect the individual to their purpose, art and prosperity. Connecting your art deeply with your truth creates a mark that is so authentic and profound it embodies a unique power. Align this vision with your individual collectors through targeted marketing techniques and you begin to build a one-of-a-kind art empire that can sustain you financially for the rest of your life.

ARTIST art·ist [ahr-tist]–noun 1. A person who produces works in any of the arts that are primarily subject to aesthetic criteria. 2. A person who practices one of the fine arts. 3. A person whose trade or profession requires a knowledge of design, drawing, painting, etc… A commercial artist. 4. A person who works in one of the performing arts, actor, musician, singer; dancer, public performer. 5. A person whose work exhibits exceptional skill.

BRAND [brand]–noun and verb 1. Kind, grade or make, as indicated by a stamp, trademark or the like. 2. A mark made by burning or otherwise, to indicate kind, grade, make, ownership, etc… 3. A kind or variety of something distinguished by some distinctive characteristic. 4. To impress indelibly. 5. A brand name.

The essence of these two words together can be defined thus: A creator who has made their mark!

Some fine artists scoff at the word brand. Whether you like the word or not, all visionary creators throughout time who have made their mark on humanity are brands. They are remembered for their impact on the collective consciousness of the planet and many are household names. I call the Artist As Brand workshop an artist boot camp because it is highly focused with the intention of aligning and defining (in some instances re-aligning and re-defining) the purpose and direction of an individual's career path. We start deep in the heart and move outwards connecting your talent to your marketing, patrons and collectors so there is perfect alignment.

The knowledge for this workshop is derived from 28+ years working as a professional artist inside and outside of the publishing, film and gallery industries as well as teaching higher education.

The following is an outline of the course and what students will learn and come away with. This is an evergreen online course. Students get lifetime access to the course including all future updates and resources.

MODULE ONE: DECLARE YOUR PURPOSE: You will learn your Core Virtue. Knowing your core virtue is the first step to establishing a foundation which your career is built upon. This intimate part of yourself is a driving force in your life. It goes deeper than your art. Declaring your core purpose aligns your heart with your art in a profound manner.

Design a Personal Logo/Heraldic Shield: You will create a simple image that will represent what you just learned about yourself. It will represent your Core Virtue.

Design a Vision Board: This template is defined by everything you love in your life—what turns you on and keeps you motivated as a unique individual. The Vision Board represents the niche markets that will be your domain and will make up your one-of-a-kind art empire.

Practice The Art of The Blurb: You will learn how to introduce and represent yourself to people. Most artists do not have a clue how to speak with others about who they are and what they do. This exercise is designed to increase your confidence and generate interest in who you are and what you have to offer.

Every workshop includes special lectures by esteemed individuals who encompass the Indie Art Spirit. Guests include art writer Peter Clothier, licensing expert Maria Brophy, social media master and botanical perfumer Roxana Villa.

MODULE TWO: PLAN YOUR BRAND: You will learn to design your art and product line. We will look at artists who are successful in this area and discuss new approaches to making income from your art. We will define what art and products can manifest from your Vision Board.

Create An Innovative Marketing Blueprint: You will learn to create a marketing blueprint that integrates high tech and high touch medias. We look at these two very different but synergistic marketing models. You learn how to best utilize these promotional mediums.

Learn The Simple Yet Powerful Art of Business and Commerce: Are you an art hobbyist or an art professional? This is a short lecture on straight up, common sense business practices. If you are selling art, you are a business. Start acting like one.

Connect With Artist Entrepreneur Leaders: Learn to create a community and hook up with those who are successful in order to keep yourself inspired and in the company of great people.

MODULE THREE: EMPOWER YOUR PROSPERITY: Commit to sustainability. You will design a five-year marketing strategy that takes a serious look at your finances, living situation and overall goals personally and professionally. What is possible? Connecting to your BHAG (Big Hairy Audacious Goal).

Recognize the Potential of Team Building and The Power of a Mastermind: Your peers can be some of your greatest assets from a personal, professional and moral support capacity. You will start this process right in the class!

Conceptualize a Product Ready for Manufacture: We begin to look at the details of what it’s going to cost in labor, time and materials to create a product from start to finish.

Review: In addition participants will have access to other career enhancing promotional opportunities only available to Artist As Brand students! Some of these details can be found on the ABOUT page. Now you are ready to create your own Art Empire!

I hope this information helped to clarify the purpose and design of my class. Come on and join the Indie Art Revolution! Sign up today! Lifetime access is included and you may complete the class online at your own pace.

See what participants are saying.

To Your Artist Empowerment and Prosperity,

—Greg

In a recent post I celebrated Sean Fitzgibbon who finished the Artist As Brand Workshop, embraced the principles and then reaped the benefits. When he finished his graphic novel grand opus, “What Follows is True: Crescent Hotel” I was curious about the evolution of the story and comic, but also how he managed to fund such a beautifully printed, high end, hard cover book with a slip cover.

Sean shared that he had crowd funded the project through Kickstarter and pulled in almost $29,000. I asked him if I could interview him about the process and he graciously agreed. His responses were a gold mine of crowd funding knowledge! Below are a few excerpts from the interview.

Sign up for the Artist As Brand Online Workshop and access the entire interview!

-Tell us a bit about the journey of creating the story for your graphic novel, “What Follows is True: Crescent Hotel.” What piqued your interest in this particular story?

When I was a kid my family would visit Eureka Springs, AR. I was always intrigued by its charming, Queen Anne dwellings perched on limestone bluffs, steep elevations, and serpentine roads that don’t intersect.  However, the most compelling and mysterious feature to me has always been the 1886 Crescent Hotel with its bizarre, dark and varied history. Years later I stayed at the hotel and went on the ghost tour.  What lingered with me was the story of the fraudulent medical practitioner that transformed the hotel into an abnormal hospital. Elements of Mary Shelley’s Frankenstein and Stephen King’s The Shining left me morbidly intrigued.  Who was he and how could something like this have happened?  After conducting extensive research, I learned of his assorted and controversial past.   

-As you wrote the story and worked out the panels of the comic, did you decide to roll out the comic as a series, or was the goal to premier the final product as a finished graphic novel? What was your strategy?

This was my first attempt at a full-page graphic nonfiction book, so the process was all new to me. I always envisioned the book as a standalone piece.  If I were putting together the book today I probably would have broken it up into smaller segments and combined them as a way to build up interest in the project as I’m working on it. However, when I was working on this book I was working on many other art projects as well so the release of various segments or chapters of the book would have been irregular. Nowadays, I’m focusing primarily on my “What Follows is True” series of books so when I’m working on larger books, I can release small segments in regular intervals and then combine them into a nice hardcover edition. 

-After you decided to produce a series or a finished graphic novel was the plan to find a publisher or did you decide to go another route and self publish?

 My original plan was to find a publisher once the book was completed so I submitted to literary agents but was unable to stir up any interest. Just as I decided to search for publishers on my own, I was contacted by a literary agent who is also a working graphic novelist. He represents both graphic novelists and children’s book authors. He submitted my book to major publishers for one year and despite the praise the book received from many publishers, none decided to take a chance on the book. Publishers have become extremely risk adverse to unfamiliar projects and authors whose work they feel doesn’t fit into a specific niche. Nonfiction books are common but graphic nonfiction books are not as well known. 

 After careful consideration I decided a crowd funding platform to fund the printing costs of my book would be the best option. I then had to figure out which platform was right for my project. After researching the various platforms, I chose Kickstarter because it’s a major platform that focuses on creative projects like art, music, film, and it is well curated with quality products and the fees are reasonable.  

-After you decided to crowd fund the project what was your promotion strategy at this point?

Most of my promotion at this point was from my website and social media platforms like Facebook, Instagram and Twitter. I find online platforms to be a decent way to promote your work but it’s also passive and I prefer to connect with people directly, so I knew I had to come up with a more effective way to reach potential backers. 

-I understand that there is much preparation and organization for the Kickstarter campaign. Can you share some of the highlights and main points for pulling it together?

 Once I decided on using Kickstarter for my campaign I began learning as much as I could about how the platform works and how to run a successful campaign. I read various books about the platform and listened to a very insightful podcast called Comix Launch.I also had to think about budget and printing costs, production, shipping etc. and I’d use this information to set my funding goal.  

 Another important factor to consider when preparing a Kickstarter campaign is the readability and design of your Kickstarter page. I researched similar projects on Kickstarter that were successful to understand how they built their page. I made sure that not only was the site well organized and user friendly but also that the overall aesthetic worked well with my book and overall brand. Videos are also a very effective way to engage potential backers and tell them about the project, so I created a trailer for my book utilizing iMovie with images from my project. 

 Also, Kickstarter is more than a platform, it’s a community, and before launching my campaign I made sure to support other Kickstarter campaigns that were similar to mine. Potential backers see that you’ve supported other projects, and you get to see how the process works from the backer’s standpoint. Most importantly it makes you feel good to invest in the success of another project.

Thank you Sean, for sharing your process!

Sign up for the Artist As Brand Online Workshop and access the entire interview. After reading it you will be informed and inspired to create your own successful crowd funded project.

I like to celebrate individuals who finished the Artist As Brand Workshop, embraced the principles and then reaped the benefits. Sean Fitzgibbon is one of those people. He attended my live class years ago, and then slowly finished his graphic novel grand opus, “What Follows is True: Crescent Hotel.”

Sean crowd funded the project through Kickstarter and pulled in almost $29,000. He has since then been promoting the book at different venues to great effect. “I learned more about the business and marketing aspects of being an artist from Artist As Brand® than I did in both undergraduate and graduate school.”

Sean recently reviewed the new Online Workshop and remarked, “I find it so inspiring and invigorating! I can't tell you how many times I've recommended your course to various students over the years. In fact I was giving a lecture to students at the University of AR at Monticello on Wednesday and I mentioned Artist As Brand in my lecture as being one of my biggest influences in building my career as an artist.”

“I loved visiting the new additions to the course workbook such as the updated videos, artist examples and interviews. Also, the updated use of social media applications and Google Analytics and other statistics services. I also was unaware of Funnel Software. I found this extremely helpful as well. “

Sean is such an inspiration that I intend to interview him in the near future to share more of his experience. I have hundreds of success stories like this that I will be sharing throughout the months.

Take one step into the Artist As Brand Online Workshop and your art career will never be the same.

Grow a voice- by Roxana Villa

Out of the box solutions for selling art and promoting it, get people’s attention. One suggestion is to start an Art Block Party. Gather all your neighbors who have some talent to share (artists, musicians, chefs, etc.), go to the city to get a permit to close down your street to traffic, then send out flyers promoting your amazing outdoor event to showcase the talent of the community. Now you have an outdoor gallery!

Betsy McDermott Altheimer, associate director for an artist service organization called Springboard for the Arts, located in the Twin Cities had another great idea for selling art. She was inspired by community-supported agriculture (CSA), where consumers receive a monthly lot of produce through purchasing shares in a farm. She thought if it works for farmers it could work for artists. “We should just do a CSA! Only this time, the ‘a’ would stand for ‘art.’”

Altheimer believes that food systems are the perfect metaphor in the reality of today’s art scene. “People have this mythical notion of what a farmer does. In reality, there is a lot of risk. You can’t guarantee every crop will be successful,” says Altheimer. “Likewise, an artist can’t guarantee that everything they do will be great. But he can ask people to invest in the value of what they do.”

Each season, nine artists participate. By signing up for a $300 share, a patron receives nine original works, plus admittance to three parties where the artists will be in attendance. Of course where the program seems a little less than ideal is the artist’s commission — for producing 50 pieces, he or she will only receive $1,000. But it’s up to the artist to create small, sensible works with a budgetary restriction in mind. Limited Edition prints might be a way to go.

The hope is that the artists will pick up new fans and patrons who will continue to follow and collect their work beyond the CSA share. “Our version of success is when the relationship continues beyond us,” affirms Altheimer. Check out her interview and then start your own CSA. If you have other ideas let me know and I will share them in a post.

Whenever artists decide to go it alone, make their own way,  fear comes along for the ride.

As freelancer for so many years I understand where this fear comes from. The goal of being secure in your finances, being safe in general  (food, clothing, shelter) are real considerations and pounded into our brains since we were kids. However fear is also an illusion. What would it feel like if the concept of security was an illusion too? Would it freak you out?

We live in an unpredictable world. What I have learned over these many years of going it alone is that security is an illusion. Making friends with that reality brings a sense of freedom and empowerment. I can do what I can in this moment to live in my highest potential and reap the fortunes of what life has to offer. It is a mind set most people are not used to.

The following is short post by Chris Guillebeau that touches on this concept too:

“Micro-entrepreneurship is changing the world. The best opportunities in the new economy are centered on creating your own assets. It doesn’t matter who wins a U.S. election, at least not in terms of how the economy affects you. No matter what happens, the unemployment rolls will continue to be full. Perhaps even worse, many people will remain underemployed by working at jobs that offer few benefits and little opportunities for advancement.

Speaking of opportunities, however, there are now more than ever before. It’s never been easier to take matters into your own hands. All over the world, people are thinking differently about risk and security, and many of them are taking action on their new perspectives. This is a good thing.

What is risky? Whether you work a “real job” or strike out on your own, relying on someone else is risky. What is secure? Creating your own freedom through side projects, independent work, instant consultancies, and creative self-employment of all kinds. What is freedom? The ability to make your own choices. Ultimately, freedom relates to value, which is taking responsibility for yourself by making something valuable for someone else. More...

©Greg Spalenka

This post by Daniellexo, Etsy’s Seller Education Coordinator reflects on the evolution of ideas and how a good idea can spark a great one.

One morning I woke up to a Facebook message from one of my favorite college professors. I was excited to hear from her; she taught me so many lessons about creativity, and I often think about her when I’m sketching or working on new designs. Soon after we connected on Facebook, I caught one of her updates,

“Even if they seem like good solutions, avoid ‘clenching’ ideas. Hold them lightly, let them evolve and swim. Good ideas often transform into great ones if you give them enough room to play!”

I think I’ve had good ideas, but I know I often don’t give my ideas enough room to play. I wondered why that was, and I set out to write my own plan of attack. Here’s that plan-

©Greg Spalenka

Whenever artists decide to go it alone, make their own way,  fear comes along for the ride. As freelancer for so many years I understand where this fear comes from. The goal of being secure in your finances, being safe in general  (food, clothing, shelter) are real considerations and pounded into our brains since we were kids. However fear is also an illusion. What would it feel like if the concept of security was an illusion too? Would it freak you out? We live in an unpredictable world.What I have learned over thirty years of going it alone is that security is an illusion. Making friends with that reality brings a sense of freedom and empowerment. I can do what I can in this moment to live in my highest potential and reap the fortunes of what life has to offer. It is a mind set most people are not used to. The following is short post by Chris Guillebeau that touches on this concept too:Micro-entrepreneurship is changing the world. The best opportunities in the new economy are centered on creating your own assets.It doesn’t matter who wins the U.S. election, at least not in terms of how the economy affects you. No matter what happens, the unemployment rolls will continue to be full. Perhaps even worse, many people will remain underemployed by working at jobs that offer few benefits and little opportunities for advancement.Speaking of opportunities, however, there are now more than ever before. It’s never been easier to take matters into your own hands. All over the world, people are thinking differently about risk and security, and many of them are taking action on their new perspectives. This is a good thing.What is risky? Whether you work a “real job” or strike out on your own, relying on someone else is risky.What is secure? Creating your own freedom through side projects, independent work, instant consultancies, and creative self-employment of all kinds.What is freedom? The ability to make your own choices.Ultimately, freedom relates to value, which is taking responsibility for yourself by making something valuable for someone else.More...

Cedar City Airport

I departed the plane at Cedar City airport and walked into what appeared to be a living room or a snuggly lodge in the mountains. Plush chairs, side tables with plants, wood paneling and a fireplace greeted me with a down home quality I had never experienced in an airport before. It was really nice!When Ben Sowards invited me to present a workshop at Southern Utah University I jumped at the opportunity. Ben had taken the workshop at BYU two years earlier and now wanted to share the experience with his students.Cedar City is known for Bryce Canyon Natl. Park. and its Shakespeare Festival. It has many cute Inns and Bed & Breakfasts. I stayed at the Big Yellow Inn an elegant Georgian Revival Bed & Breakfast.

The students, faculty and alumni at SUU were so warm and friendly I felt embraced like family. Ben took me to the Centrum Arena where I lectured to an audience of two hundred.

Some of the SUU Workshop Participants (Ben is on the left)

The workshop was more intimate and filled with a group of enthusiastic students, alumni and faculty. I love seeing the lights go on in people's hearts and minds when they dive into the work and see themselves clearly. For many it is a powerful and cathartic when this happens so there are always tears at my workshops. This group jumped in with open hearts and much transformation was realized.

After that first realization they focus on melding their talent with the entrepreneurial spirit. There is real excitement when they recognize the potential of their unique ideas becoming reality. Building an industry around their creations instills a sense of freedom. It still takes fortitude and hard work but at the end of the day the productions are their own and so is the prosperity.

Student, Vachelle Thomas had this to say: "The Artist As Brand workshop was truly transformational. I feel so hopeful, like I have never felt before, and I want to thank you. I've spoken about the workshop daily, with people who attended and with others, to refine my core virtue statement and to sound out opportunities."

That's the spirit, Vachelle! I am looking forward to seeing the results of this group's passion.

The morning before I flew back to LA, Ben took me to see the sun rise over Zion's Kolob Canyon.

It was spectacular.

Thanks Ben! And thank you to all my new art spirit friends in Cedar City.

All photos by Ben Sowards.

I have heard artists say, "My art is not a product!"If you sell your art it is a product. If you create an edition of prints it is part of your product line. One of my favorite indie artists, Jeff Soto just started a product line of clothing.The name Stormcloudz came to Soto several years ago- "A storm cloud can be one of the most beautiful, powerful and sometimes dangerous forces of nature. I think the same can be said of art. It can be beautiful and at the same time it has the power to make people think and great art can make people act! I titled my last NYC art exhibit Stormclouds and thought that someday it could be a fun name for a brand."A brand you say? Jeff Soto is the brand, Stormcloudz is the name of the company.

Stormcloudz is rooted in Soto's love of the natural world, with designs featuring owls, skulls, flowers and mythical beasts. Visually the line takes inspiration from Soto's involvement in different artistic genres- graffiti, gig posters, skateboard graphics, illustration and fine art. It is very much an apparel project designed by an artist for people with artistic, creative minds.Currently, Stormcloudz apparel can be found online at Tilly's.He also asks to keep in touch on his Facebook page, Twitter feed and website. He would also like you to get involved! They have stickers and want to give them to you. Send a self addressed stamped envelope to:STORMCLOUDZ Stickerzc/o F4D Studios9960 Indiana Ave, Ste 9Riverside, CA 92503Jeff Soto is turning into an Artist As Brand master! Go Jeff!

Pinterest is one of the new stars of the social media world.Set up an account at Pinterest.com. You can then start creating boards where you can "pin" photos and videos around a common theme that you find on the Web. This is another way of sharing your story, your lifestyle, and connect to others who love what you love too. I have not started a board yet but Roxana is obsessed and creates some of the most beautiful ones I have seen. Check them out HERE.Here is an article on Copyblogger explaining "56 Ways to Market Your Business on Pinterest."Who is using Pinterest and how is it helping you?

Another year of Comic Con and finding my purpose in it. Go to the Spalenka Eye for more.

I am honored to be returning to the Academy of Art University in San Francisco to present a two day Artist As Brand workshop.

***

Academy of Art University

July 7-8, 10:00- 8:00, Saturday/Sunday

540 Powell st. San Francisco, CA 94105

Limited to 20 participants

Do you have stories and visions you want to share with the world? Whether you are a student who is ready to start an art career, a teacher who wants to make income from their creations, or a professional artist who is tired of pumping out work for the film, game, publishing, and advertising industries, this workshop is for you. Get ready for the future of art career sustainability.Come prepared for some serious introspection on personal goals as well as mind bending concepts on perceiving your art career differently. You will learn how to connect with your fans, patrons and collectors directly. I guarantee you will not look at your talent the same way again.

Some testimonials from last years AAB workshop at AAU

“I want to thank you for your dedication and hard work. You are amazing. I believe that small business ventures are essential to the health and wealth of our country. You have found a path through the forest of corporate trees and soon it will be a well traveled road.” -Shelley Masters, Artist, Muralist, Teacher“I’m very thankful to have taken your workshop. I’ve learned so much. I’ve even blogged about you on my artblog check it out dianepascual.blogspot.com" -Diane Pascual, Artist, Writer“Greg’s seminar will provide the spark to get your creative fire burning bright!” -Dan Dion, Photographer“Clarity and direction have been issues for me… The workshop helped me take my broad ideas and narrow them down to manageable starting points.” -Summer Love, Environmental Designer“Thank You Greg!! For planting seeds in my mind for what is possible in developing an art business.” -Cameron Chun, Artist

The Artist As Brand Gang in Kansas City.

May 15-20 in Kansas City, MO was a special week indeed. Not only did I have a rocking group of talented artists who ranged from student to professional, coming from eight states for the Artist As Brand workshop, but Spectrum Fantastic Art Live opened a door to the future of art career sustainability. We had Alex Ruiz from California, David Frizell- Kansas, Tyler Davis-Utah,  Sue Cornelison and Paul Micich- Iowa, John Wagenman- Texas, Tara Chang- Washington, Sean Fitzgibbon- Arkansas, Julio Morales and student Jake Gorman- Missouri.

This was an awesome opportunity for the participants to see how what they learned in the workshop could be applied in an event like Spectrum Live. Arnie and Cathy Fenner did a great job with the convention for its grand opening even though the crowds were on the light side. The future is bright for this event. See more here.

Paul shot video from his iPhone of everyone voicing their core purpose. Your innate purpose, truth, virtue, is the foundation of your being and an attribute we align with in the workshop. It is beautiful and profound.

One of my goals with this work is to bring clarity to your career path. For instance Tyler had difficulty making a decision between teaching full time or focusing on creating his art. He just sent me this email, "I decided to put off large scale teaching until I have a few more years of experience and am going to sell my art products to build my empire!"

Right on brother! Go for it. I am with you!

Last week Roxana and I were invited to West Liberty University to be a part of their annual MadFest (Media Arts and Design Festival) and to present a one day Artist As Brand workshop. Essentially it was two very full days of presentations, looking at portfolios, judging artwork, web design, animations etc. as well as presenting awards to the winners. High schools from the surrounding area were invited which brought a youthful vitality to the event.The workshop was filled with 21 faculty, students, and alumni who came to some striking realizations about themselves and their artful path. One of the students Seth Miller, a talented photographer is creating a short film based on their interviews. I can't wait to see it!The past two days have not only left me feeling spiritually and emotionally invigorated, but have immensely enhanced my confidence and eagerness to begin working as a freelance artist. Thank you so much again for taking the time to plant seeds of knowledge in West Liberty's creative minds. The wisdom you share and bring out in fellow artists is truly priceless.-Victoria Lavorini, Graduating Student

"I have a clearer vision of where I want to go as you have greatly helped with the HOW.  Thank you for your insights..."-Bev Beatty, Alumni"Your generosity and sharing of experiences was greatly appreciated."-Brian Fencl, Chair Journalism, Communication Studies & Visual Arts

"The Artist as a Brand Workshop was very beneficial for me. It helped me define my purpose in relation to my artwork and made me believe in myself and the possibilities I will have as a freelance artist."

- Chloe Woods, Student

"It was very inspiring! I would like to stay in contact with you and keep you updated on my work and progress through the rest of my time at college, and as an artist.

"

-Sean Ritner, Student

In July 2010 I met a young artist name Ray Sumser selling a poster of his art in front of the San Diego convention center during Comic Con. I included him in an article I wrote about street artists called Artist As Brand Grassroots. At the end of last year I noticed he had started a Kickstarter funding event that did very well.For those who are not familiar with Kickstarter.com it is the world's largest funding platform for creative projects. Every week, tens of thousands of amazing people pledge millions of dollars to projects from the worlds of music, film, art, technology, design, food, publishing and other creative fields. It is a new form of commerce and patronage. This is not about investment or lending. Project creators keep 100% ownership and control over their work.It is such hit that sponsors will curate pages. Even colleges like SVA and RISD have gotten into the action supporting their alumni and students.

What's amazing is the amount of money some projects acquire. How about Joshua Harker's, Crania Anatomica Filigre sculpture which pulled in $77,271. Or the comic The Order of the Stick which pulled in a whopping $1,254,120! What?! You heard right, check it out.

Bottom line is if you have a great idea Kickstarter can help you start funding it.

2012 will be year of the artist entrepreneur ______________

Arnie and Cathy Fenner, the organizers of Spectrum Fantastic Art Live to be held in Kansas City this May sent me this email "Looks like we are all ahead of the curve on what we're doing." I am presenting an Artist As Brand workshop in conjunction with the event.They connected me to this article by Michael Wolf about artists taking control of their prosperity:While 2011 was a big year for political unrest, another uprising was afoot in the world of content creators and artists. Everywhere you look, artists are taking more control over their own economic well being, in large part because the Internet has enabled them to do so. You see it in all forms of content, from books, to video to music.A few examples from this year:e-books: Probably the most active area in large part because there is huge shifts taking place in digital publishing. From former mid-list writers like Barry Eisler to superstars like JK Rowling, writers are increasingly making waves in digital publishing.Video: The story of the year for artists-as-entrepreneur came at the tail-end, with Louis CK saying no thank you to corporate middlemen and putting his new concert video online for $5 a pop.Radio/Music: All sorts of independent entrepreneurs are putting audio entertainment online, from the rise of podcast kings like Leo Laporte to a huge number of independents like Adam Carolla and Marc Maron. Music artists are being given freedom too, through new platforms to create and share their music like Soundcloud.So what is driving this movement towards the artist-entrepreneur that will give it huge momentum in 2012?More...

Grow a voice

Art by Roxana Villa

I am huge fan of out of the box solutions for selling art and promoting it. One of my suggestions is to start an Art Block Party. Gather all your neighbors who have some talent to share (artists, musicians, chefs, etc.), go to the city to get a permit to close down your street to traffic, then send out flyers promoting your amazing outdoor event to showcase the talent of the community. Now you have an outdoor gallery!Betsy McDermott Altheimer, associate director for an artist service organization called Springboard for the Arts, located in the Twin Cities had another great idea for selling art. She was inspired by community-supported agriculture (CSA), where consumers receive a monthly lot of produce through purchasing shares in a farm. She thought if it works for farmers it could work for artists. “We should just do a CSA!” she exclaimed in an interview with American Craft Magazine. “Only this time, the ‘a’ would stand for ‘art.’”Altheimer believes that food systems are the perfect metaphor in the reality of today’s art scene. “People have this mythical notion of what a farmer does. In reality, there is a lot of risk. You can’t guarantee every crop will be successful,” says Altheimer. “Likewise, an artist can’t guarantee that everything he does will be great. But he can ask people to invest in the value of what he does.” Each season, nine artists participate. By signing up for a $300 share, a patron receives nine original works, plus admittance to three parties where the artists will be in attendance. Of course where the program seems a little less than ideal is the artist’s commission — for producing 50 pieces, he or she will only receive $1,000. But it’s up to the artist to create small, sensible works with a budgetary restriction in mind. The hope is that the artists will pick up new fans and patrons who will continue to follow and collect their work beyond the CSA share. “Our version of success is when the relationship continues beyond us,” affirms Altheimer.Check out her interview and then start your own CSA. If you have other ideas let me know and I will share them in a post.PeaceGreg

Sign Up deadline is May 6th.

Spectrum Fantastic Art Live! and Artist As Brand are aligning to bring creative empowerment and prosperity to artists in Kansas City, May, 2012.

Spectrum Fantastic Art Live! is a natural extension of the eighteen-year success of the award-winning Spectrum: The Best In Contemporary Fantastic Art annual.The Spectrum book has come to symbolize the vibrancy, diversity, and overall excellence of this international art community. Spectrum Fantastic Art Live! is an art fair in which creators will be able to sell originals and prints while promoting their work to patrons, collectors, and potential clients. Whereas the ubiquitous comic con focuses on all facets of popular art culture, Spectrum Fantastic Art Live! focuses on the artist and their sales.

This focus makes it a perfect fit with Artist As Brand! I will be presenting a workshop three days before the event. It is open to all serious artists, students and professionals. Learn the secrets of connecting the power of your essence with your art, to your collectors, and see how these principles can be applied at an event like Spectrum Live.

All participants will receive free access to all three days of Spectrum Fantastic Art Live. The workshop is held at the Historic Aladdin Holiday Inn Hotel, just blocks from the convention center.

Learn more about the workshop on theABOUT page.Read the REGISTER page before signing up.See what art professors, professionals, and college students are saying on the RESULTS page.

Register Here

Kendall Students

I presented an Artist As Brand workshop at Kendall College of Art and Design this past weekend and wow, these students were on fire! They were already formulating ideas for a multimedia community art event to be held at the school next year. I was impressed with the strong independent art spirits in this group. Go Kendall!The amazing life coach Greg Montana was Skyped into our session pumping up the group. Twenty eight students, alumni and faculty stuck it out for the three ten hour days. You could feel the love! See more pics here.

Artist As Brand was a complete success!!! 3 day illustration boot camp, followed by a lovely dinner with the amazing illustrator that created it!... I have had the best weekend ever!! I mean ever!!.... priceless.-Amanda Schaub

I am going for what I want in life. I'm getting my mind, body, and soul together and failure is a foreign word now.-La'kenya Shauray TerrellI can't thank Greg enough for sharing his wealth of knowledge and more importantly, touching my heart. -Kirbi FaganSweet! I will be back next year.Thank you also to Christine Brown, Nancy Hart, and Jon Mcdonald for introducing me to such an awesome school.PeaceGreg

REGISTRATION CLOSED

I am honored to be presenting a workshop at the historic Westbeth in NYC.Located in West Greenwich Village, Westbeth has provided affordable living and working spaces for artists and their families since 1970. The workshop is open to all artists. I guarantee that any participant that faithfully applies the principles learned in the class will sell more art in the coming year than they did the year before or I will refund their registration fee.

$295

$150 For Westbeth residents!

Westbeth (Community Room) 55 Bethune Street New York City, 10014 212- 691-1500

Read the REGISTER page before signing up.

Learn more about the workshop on the

ABOUT

page. See what art professors, professionals, and college students are saying

here.

When you finish this seminar you will be empowered to take any success you have now to another level. See you soon!

Greg Spalenka