You know the day destroys the night

Night divides the day

Tried to run Tried to hide

Break on through to the other side

BEYOND THE CORPORATE WORLD

Welcome to my Blogging Ensemble!

*In the early days of Artist As Brand® I would create these blogging ensembles with other talented individuals to expand the reach of our reader base. It worked amazingly well. This is an older one from 2010, but it all stills rings true! Check it out and remember when it comes to promotion, your community of like minded individuals can be a powerful tool.

I have invited some amazing bloggers, art writer/author Peter Clothier, artist licensing expert Maria Brophy, champion of the handmade Nicole at Lillyella, San Francisco painter Anna L. Conti, and popular art culture icon Miss Mindy to expound upon a subject which strikes fear in the hearts of most people in this country: creating a living outside the confines of the corporate world. It takes some courage and a plan, but it can be done! Read how to break on through to new possibilities in the links below.

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I remember having conversations with my Dad when I was studying at Art Center College of Design about what my plans were going to be after graduation. My Dad had worked for many years as a salesman for a plastics company. "Well Dad," my mind raced, "I am learning how to take my drawing and painting skills to another level of expertise... I am learning how to conceptualize..."

He would interrupt me, "But what are you going to do when you graduate?" I muttered something about magazines and newspapers and then quickly change the subject, "How about them Dodgers?!"

The idea that I would "freelance" was a scary proposition to my Dad, and frankly to myself. My Dad was a salesman but he still received a salary. Going your own way takes a certain amount of boldness, courage, and rebel entrepreneurial spirit. Making a living this way takes a lot of hard work, self volition, and bill shuffling until you get off the ground.

The benefits of this model help you gauge the value of your worth more directly, shows you how your career is advancing, and allows more flexibility as well as freedom to make changes. The corporate world is like a drug. It is easy to get comfortable with a check that enters your bank account every two weeks. The company sets your work time, job tasks, schedules, lunch time, goals and deadlines. Security never felt so good.

When I lived in New York City in the 1980's my neighbors who were corporate cohorts working downtown in Wall Street, could not imagine how anyone made a living freelancing. I distinctly remember them shivering when they said to me, "We could never do that!" The fear was tangible.

I created illustrations for Time, Sports Illustrated, Fortune magazines and was awed when I would walk into the 48-story Time Life building, with it's large murals by Josef Albers and Fritz Glamer in the lobby. The editors, art directors, and staff were amazing people who headed these prestigious publications for years. The Time Life empire of 28 years ended over night when Time Inc. and Warner Communications merged in 1989, becoming Time Warner. Within a short month or two the hundreds of talented people that staffed these magazines for decades were gone. Security was an illusion. Freelancing was a dance with the corporate world that had it's advantages until the economy shifted or the industries (like publishing) that I relied upon faltered.

It really was my renewed interest in the San Diego Comic Con (in 1990) that opened my eyes to the concept that artists of all kinds could make a living outside the corporate machine. Here writers and artists were forging a new model of artist sustainability with their own products. I saw my many years as a freelancer dependent on corporate America, transform into an independent art empire built by my fans and collectors. 

Now I teach others how to become empowered with new possibilities. Pulling away from a corporate paradigm that has been ingrained in our brains since we were very small is a challenge. However there are many successful creative individuals who have broken through stereotypes imposed on them through family, education, the media. Break on through to success as you define it. Become the industry of your dreams.

Peace and prosperity!

Read the other uplifting and fascinating posts here-

Persist: The Blog

Maria Brophy

Lillyella

Miss Mindy

Working Artist Journal

Produce Your Own Unique Art Empire!

See what Art Professors, Professionals, and College Students are saying about the Artist As Brand Workshop Here.

FIND ART GALLERYAugust 6, 7, 8 Friday-Sunday 10AM- 8PM1640 Superior Ave. Costa Mesa, CA 92627

With Special Guest Lectures by writer and art critic Peter Clothier, licensing expert Maria Brophy, social media master & botanical perfumer Roxana Villa.

Please read the REGISTER page before signing up.

Learn more about Artist As Brand on the ABOUT page.

Is fate tied to intention?Have you ever noticed that it seems inevitable at times when specific people pop into your life? It feels as if the universe is pushing both of you together. This happened to me recently with Peter Clothier. By his own words, he is a reformed academic, now fifteen years in recovery, he has returned in recent years to teaching, in mostly non-traditional ways: in workshops, continuing groups, and individual coaching and mentoring for artists and writers. I missed his lecture at LCAD last semester, though some of my students made it and enjoyed him immensely. When Clothier's PERSIST: THE BLOG auspiciously jumped into one my Google searches I realized we had strands of art spirit glue connecting us. I contacted him.This man is committed to exploring the possibilities. Look at all his social media. All of it is fascinating. Check him out. You will definitely learn something!His Website.Blogs:TheBuddhaDiaries.comHuffingtonPostPodcast:The Art of OutrageHis new book Persist: In Praise of the Creative Spirit in a World Gone Mad with Commerce is a collection of musings on the art of the creative process.Needless to say, Peter is channeling the goods. He has a presentation and book signing at the Napa Valley Center for Spiritual Living, Sunday May 30. Go!I asked him if he would be kind enough to answer some questions that I have recently been serving up to college students, faculty, Chairs, etc.He graciously agreed! Enjoy.Greg- Where in the individual does art reside?Peter- In the mind, which is everywhere--heart, brain, body, bones, eyes...  The mind is the whole package, working all together.G- How do you define artist empowerment?P- It's self-empowerment.  No one is going to give it to you, nor even teach it to you--though the teacher can help you find it.  It comes only with time, through experience and growing familiarity with the medium and inner knowledge out of which we speak.  This is what we mean by an artist's or a writer's "authority."G- That sounds like living from the inside out. Lovely. How would you describe artist sustainability?P- I wrote a whole book about it--or a series of essays which came out as a book this year.  It's called "Persist."  Persistence is the ability to sustain one's vision and one's sense of purpose, despite all obstacles--and there are many of them in today's culture.  Again, this is a quality of mind.  It can be developed through a regular practice of discipline.  My own practice is meditation--an excellent model for the creative process.G- Meditation is part of my spiritual practice too, and it definitely informs my creative life. Most art colleges focus on teaching conceptual and technical image making skill sets with an eye on preparing artists for the publishing, gallery, and entertainment industries. What could be some alternatives to these corporate models?P- If I were to write an art school curriculum--and I won't be doing that, I quit academia twenty years ago!--I would be sure to include two elements that are most frequently forgotten.  The first would have to do with the value of discipline and practice, and of training the mind to focus on those things I want it to do rather than allowing it to wander off on its own whims and fancies.  The second would have to do with the holistic quality of the human experience.  This sounds a bit romantic, but it's not intended as such.  Our educational systems tend to concentrate on the activity of the brain, and too often to cut us off from other parts of our lives which are equally important: the emotional, the physical (yes! the body!) and the spiritual.  An integrated vision must incorporate all four of these elements.G- Focus and balance is a key to understanding ourselves, and our art. But in the context of living in a corporate world what can an artist do to weather fluctuating economic factors?P- Breathe.  I actually mean that seriously.  In our anxiety and our drive to "succeed," we forget to do this and we choke on our own needs and ambitions.  For the vast majority of artists, the reward is unlikely to be financial.  If you make a painting with the thought of selling it, you're probably in the wrong profession.  The trick is to follow one of the great Buddhist teachings, and learn not to get attached to outcomes.  If you're an artist and you need money (don't we all?), look elsewhere.  If you happen to be one of the fortunate few, congratulations.  And don't forget to keep "persisting," not only in your studio work but also in the pursuit of your goals outside the studio.  Just don't cling to a single notion of success, especially the financial one--because it may not happen and you have to keep doing it anyway.  Because you're an artist, aren't you?G- Keeping your eye on your integrity and your personal vision is vital to peace of mind and creative longevity. However I am also an advocate of making a living from your talent. Personally I think you can have your cake and eat it too! Now how big your cake is depends on you! I have observed over the last two decades the walls breaking down between the so called fine art world and popular art culture. The Low Brow art movement and artists like Takashi Murakami are examples of this. What is your opinion of this evolution? How does it benefit the artist?P- I don't care to make that distinction.  Art is art is art.  If you're out of the mainstream, you're probably on the right track!G- My sentiments exactly! Any final pearls of wisdom?P- How about: "Read my book?"  That's where I keep my pearls.  In a nutshell, see my previous answers.  To paraphrase Lewis Carroll's Father William, "I have answered six questions and that is enough... Don't give yourself airs.  Do you think I can listen all days to such stuff?  Be off, or I'll kick you downstairs."Cheers!Now that was English humor!Thank you so much Peter for your insightful answers. I am grateful fate threw us together. Of course I am sure intention had something to do with it! We shall have more conversations about the world of art and its evolution. Peter and I may align on an Artist As Brand workshop in the future. In the meantime peruse his Website, Blogs, and books. Knowledge and wisdom are timeless.To empowerment and our kindred purpose,Greg