The Beerhorst Family
The Beerhorst Family is pure Artist As Brand. In fact Rick Beerhorst says the family is a brand! Take a look at this article on Etsy and the video and see what I mean.
Empowerment People!
Greg
JAMMING FOR 38 YEARS!
Phil Yeh has been making comics for a long time. He has written and illustrated over 80 published books. Phil founded Cartoonists Across America & The World to do something about the literacy crisis on the planet. His group of artists have painted more than 1700 murals in 49 states in the United States as well as more than a dozen countries. A documentary film "Planet Literacy" is in the works and will cover much of the 25 year global tour promoting literacy and the arts.One of his most popular comics is, "The Winged Tiger" series. of for January 2009. See more of his work HERE.Phil also publishes a FREE magazine that celebrates the art spirit called, "Uncle Jam." Started in Long Beach in 1973 it is filled with interviews of well known artists like Moebius, Daniel Merriam, Kadir Nelson, as well as writers and performing artists. Check out the newest issue HERE.I salute Phil for his passion to produce his own creative properties, but also to his commitment to other artists and the people they inspire. I will interview Phil in the future to find out more about the history of his work and the passion that has driven him to manufacture a free magazine for 38 years.PeaceGreg
I am honored to be presenting a workshop at the historic Westbeth in NYC.Located in West Greenwich Village, Westbeth has provided affordable living and working spaces for artists and their families since 1970. The workshop is open to all artists. I guarantee that any participant that faithfully applies the principles learned in the class will sell more art in the coming year than they did the year before or I will refund their registration fee.
$295
$150 For Westbeth residents!
REGISTRATION CLOSED
REGISTER BY LEAVING YOUR NAME AND CONTACT INFORMATIONHERE.
Westbeth (Community Room) 55 Bethune Street New York City, 10014 212- 691-1500
Read the REGISTER page before signing up.
Learn more about the workshop on the
page.See what art professors, professionals, and college students are saying
When you finish this seminar you will be empowered to take any success you have now to another level.See you soon!
Greg Spalenka
This Saturday August 6 at 10:00
Free! Artist As Brand LectureSponsored by the Alameda Writer’s GroupGlendale Library222 E. Harvard St.Glendale, CA 91205818.548.2030
LESSONS LEARNED
Experiences are going to be good and bad depending on your perspective, but if we focus on the lessons learned we can always view it through a positive lens. Every San Diego Comic Convention since my first in 1974 has taught me something. In the beginning Comic Con was all about fans appreciating comics and the creators behind the art of these stories. Writers, artists, publishers, merchandisers, all gathered for this large show and tell of popular art culture, to be seen as well as trade and sell their products. Comic Con grew on this simple premise.
The film and television industries were always present at the event but more on the fringes. Over the last decade the tables have turned and promotions for the large media conglomerates have taken center stage, literally. This has changed the fan base. Serious collectors that flocked to the event are becoming rare. I was elated to see Mr. Katz, one of my best patrons stop by the booth. When I asked why he had not been to the Con in nine years he waved his hand toward the FOX and Warner Brothers islands and said, "I could do without all this."
Ric Meyers (writer and presenter of the Kung Fu extravaganza at Comic Con) mentioned "the artists and merchandisers are being pushed towards the walls, and disappearing into them." Many of my favorite artists do not come to Con anymore because it is too expensive.
This year a group of Pixar artists started an event called “Tr!ckster” across the street from Con in response to what they consider an impersonal giant. It's fascinating that a group of artists who make their livings strapped to a corporate entity are putting together alternate events to Comic Con. This highlights the dilemma I see in the corporate world all the time. Artists become addicted to the salaries they receive working for industry, yet yearn for independence. The challenge is you have very little time to do your own work once you are locked into that system.
The shining light in all this is that your fans, your patrons and collectors will stick with you wherever you are. Some of my collectors who I met at Comic Con years ago stopped by to see me and purchased art (one is the Batgirl painting above that I worked on at the booth). I love my supporters, they make the trip to San Diego worth while. Also seeing my artist friends at this event is enjoyable.There are other conventions popping up around the U.S. I was speaking with Arnie and Cathy Fenner about Spectrum Live to be held next May in Kansas City. It is an event that is focused on the artist. I will be there with a booth and as well as presenting an Artist As Brand workshop! Yes, stay tuned, Spectrum and Artist As Brand are aligning.What did I learn this year? Comic Con is becoming less of a place to sell and more of a venue to promote. The big question is if it's worth it? That being said my Crescoptiscope from The Visions of Vespertina was a hit and brought many curious eyes to the booth. I wish you could have all seen it in action. Had to be there!
For those of you who could not make it to San Diego, I have a few Masters of Science Fiction and Fantasy Art left. See some of the bookhere. I am in it with Brom, Kinuko Craft, Dan Dos Santos, Donato, Charles Vess, Stephan Martiniere, James Gurney, and more. It is an awesome collection, with insightful commentary by the artists. $25.00, shipping included. You can purchase it at Amazon for the same price but mine comes signed.
To your art empire,
Greg
The Illustrators Journal is the brainchild of Lon Levin. It's a new magazine about the illustration world. There are articles about empowerment, marketing wisdom, and the other facets of jumping into a career of art. I am interviewed in it too! Check it out here.Peace allGreg
Director Spalenka
When I decided to publish my first illustrated novel, The Visions of Vespertina,Kickstarter.com came to mind to garner support. This online crowd funding website has really taken off and now their are others to increase the competition. I like the way Kickstarter supports creative projects. It is amazing how well different projects have done through the help of this funding platform.
In a nutshell you pitch your product to the world and see who is interested enough to donate or pre-order your art, movie, book, etc. You offer rewards for specific amounts of product or extras. If you reach your desired financial goal by your deadline the funds are released to you. A video is a helpful tool to perk up interest. The quality of these infomercials range from sophisticated to doh!
I wanted to create a "trailer" for my book and so decided to film actors and my art using green screen technology. If all goes well I should have it up on Kickstarter in about two weeks. I will keep you informed. So for all you courageous Artist As Brand® (yes I now have a registered trademark!) entrepreneurs, crowd funding is a viable solution to jump start the production on your labor of love.
Peace
Greg
PRIORITIZING YOUR TIME
Managing time is an illusion. Time has it's own schedule. We can only work with it. What matters most is how we prioritize our time.
This means focusing on what is important in our lives. I look for a balance of mind, body, and spirit. I meditate morning and night, eat simple nutritious meals, workout a few times a week, and prefer to fill my mind with inspirational knowledge. Creating my personal art projects brings me a sense of well being. Living responsibly, yet passionately.
In the context of our career and work it is the same. If you go to a job that schedule is pretty much set for you . When you freelance or own a business, prioritizing your time is crucial. Having the discipline to meet your deadlines and remain on track with costumer service is necessary to your success. Yet there are times when deadlines loom and parts of your business demand full attention, putting other facets of the game plan on hold. A little crunch time now and again is normal, but if excessive can burn you out.
I am premiering the first episode of my "Vespertina" books at Comic Con in July, so I will be going into the cave to finish this project. Go to mySpalenka Eyeblog for more info. I will create a kickstarter campaign for this project so you can see how crowd funding can be used as a promotional tool. If you do not see much activity here for the next two months this is why. The online workshops will be ongoing, but before the end of May will be the best time to reach me.
Keep making art everyone!
Greg
CHAMPION OF THE CREATIVE PROFESSIONAL
Ilise Benun has been a champion of promotion and sound business practices for creative professionals since 1988. Her website and blog at Marketing Mentor, offers insightful commentary on the freelance world. She has written seven books including,“The Designer’s Guide to Marketing and Pricing", “Stop Pushing Me Around: A Workplace Guide for the Timid, Shy and Less Assertive”, “The Art of Self Promotion” "Self-Promotion Online" and "Designing Web Sites for Every Audience".Her new book, The Creative Professional's Guide to Money is a straight up look at how we think about, talk about, and manage money.Ilise conducts workshops, and lectures around the country. She has been self-employed for all but 3 years of her working life! I have met Ilise on a few occasions and I can tell you she knows her stuff. Today we interview a master of promotion.Greg: How do you define success? Please share one of your favorite success stories as a mentor.Ilise-I think success is defined by freedom and responsibility. The freedom and responsibility to do the work I want to do with the people I want to do it with, when I want to do it. And in a way that has a positive impact on other people.One of my favorite success stories is Jennifer Neal from K9 Design Co. Thanks in great part to very targeted and consistent marketing, her firm’s revenue was up 30% in the middle of a recession after choosing a very narrow target market (magazine publishing in Canada) that was supposedly dying. I feel proud to have been instrumental in the 3-year process that led toward that growth.G: I love hearing success stories. You offer consulting services and have written many books yourself and in collaboration with others. I emphasize to my students the importance of creating alignments with like minded individuals. What have been some of your favorite collaborations?I:I have benefited from long term collaborations over the years, whether it’s been one individual or many at a company. My favorite collaborations have been those with HOW Magazine and F&W Media –and all the people who work for them and with whom I interact, especially in producing the Creative Freelancer Conference. I was lucky enough to find one of these collaborators very early on in my career, Bryn Mooth. This relationship has continued for more than 15 years and has grown into so many satisfying projects. I’d say when looking for collaborative relationships, look for people who are smart, who will challenge you, and who will complement what you have to offer.
G: Now our relationship to money can be a challenging one. One of the thing that struck me most about reading, The Creative Professional's Guide to Money was how money has such an intimidating power over people.I: There is an important shift in mindset that needs to happen so that money isn’t so overwhelming and fear-inducing. Especially for creatives, it’s easy to take money personally since the work we do can be so personal to us. But a successful relationship with money has to do with seeing yourself as a business … and seeing money a part of doing business.Here’s a short excerpt from The Creative Professional’s Guide to Money on that topic:See Yourself as a Business.Many creative professionals hang out their shingles or open their doors for business, then proceed to wait and hope: hoping clients will find them, hoping they’ll get enough work, hoping the client will pay the bill, hoping the checks add up at the end of the month so all the bills get paid. If you think about it, it’s a very passive position, taking what comes along instead of deciding what you want and pursuing it.There is an alternative, and it is within your reach. You can replace the passive mind-set with planning and action. The first step is to re-envision yourself as a business. But what exactly does that mean?At the core, it’s a shift in the way you see yourself, a small shift that can affect every little detail about how you do your work and especially how far you go.Be Objective About Your WorkTaking your business seriously also means being as objective as possible. But as a creative, your work is more than a “job.”You are probably emotionally attached to the work you do. You may even pour your heart and soul into it.This can present a problem. According to Jon Weiman, designer and adjunct professor at Pratt Institute, “Creative professionals have trouble because they tie their ego and self-worth to the work in a way that is not businesslike. It becomes too personal.”
G: Much of your emphasis is on promotion and managing your business. I recommend my students read the book you wrote with Peleg Top, "The Designer's Guide to Marketing and Pricing." It has some great information on writing a business plan which I also recommend they do.I: Everybody needs a business plan, whether they’re independent or an employed artist. A business plan is simply a clear idea of where you are going and what you’re trying to achieve in your work. Business plans can be intimidating the image is of a thick document, but it could just be 3 sentences or even a mind map of where you’re going. Without it, you won’t get there.G: I love the mind map concept. I have been talking about the electronic book for many years. Now the iPad it really is putting pressure on the ancient technology of paper books. What are you doing to make the paper book less obsolete for your editions?I: I think information should be delivered in the way that people want to receive it. Whether tangible or electronic, my 7 books are my best marketing tools. So while I do earn royalties, it’s not something I do for the money. As for how I promote the books, that’s a whole other interview but here’s the short list: blog posts, articles, speaking engagements, podcasts, webinars, social media and email marketing.
G: The online world is vitally important for an artist's visibility. A website, Blog, Facebook, Twitter are the norm now. The technology is always changing. What do you see as the next big online promotional vehicle?I: I see video becoming even more popular and being further disseminated through and integrated into all of these channels.G: I believe it is going that way too. What is the smartest promotion artists can utilize today?I: Relationships. The smartest promotion happens by focusing on the people, not the work. The focus has to move from the self to the market so that you can give the market what it wants. You get that information through the relationships you develop with the people in the marketplace. G: Most art colleges focus on teaching conceptual and technical image making skill sets with an eye on preparing artists for the publishing, gallery, and entertainment industries. Have you seen alternatives to these corporate models? I: A few forward looking schools are starting to commit resources to teaching students about the business side of art—and I think it’s about time. (I’ve been giving talks called, “Do You Have What it Takes to Be Self Employed?) at these schools, and I’ve really enjoyed being part of this preparation.) Many artists are jumping right into their own business after graduation or having one or two jobs while freelancing on the side, and I see that growing. There will be fewer jobs available for artists, so they have to know the business side.
G: Art is like fashion, it changes and morphs throughout the years. Any suggestions for an artist's sustainability? I:Evolution. Changing with the market. I do think that the artists who succeed are the ones who stay in touch with the market (the world, the industry, the place where the money comes from) and evolve instead of hiding out in their studios and producing work. Keeping your finger on the pulse of how the world, technology, and the marketplace is changing and adapting accordingly, is the key to sustainability.G: I like that– an evolving balance. You balance business and a family. What is the biggest challenge with that?I:Learning to say no to the things that don’t align with my business plan.G: Lastly, please offer some pearls of wisdom for artists and creative souls everywhere.I:Don’t take things personally. When people don’t separate themselves from the business, it can get in the way of the marketing.Yes! Keep it in perspective my friends!Thank you tremendously for your time and expertise, Ilise. You can learn more by visiting her atMarketing Mentor, sign up for her Quick Tips Newsletter (I have been getting to for years), and lastly garner more confidence in your financial affairs by picking up her new book, "The Creative Professional's Guide to Money."To your empowerment and prosperity,Greg
Amy Turk
*MINI ART EMPIRES IN THE ROUGH*
"Daybreak Designs is an innovative grassroots business venture for women in transition. The women achieve economic self-sufficiency by actively participating in the design, development, and maintenance of a small arts and crafts business."-Amy TurkMy friend and graphic designer Terese Harris asked if I would give a presentation at Daybreak, a program within OPCC, which is a network of shelters, and services for low-income and homeless individuals, and people living with mental illness.I was introduced to Amy Turk the Director ofDaybreak. She oversees a continuum of services at Daybreak including a drop-in center, two shelters, a supportive day program, permanent supportive housing programs, and a member-run arts and crafts business called Daybreak Designs. After my presentation I saw some of the arts, and handicraft created by the women who were helped by Daybreak. It became clear we had another group ofmini art empires in the rough! Here are interviews with Amy, and three of the artists.Greg: Tell me more about the store you have set up to sell the women's creations.Amy: Daybreak Designs is an innovative grassroots business venture for women in transition. The women achieve economic self-sufficiency by actively participating in the design, development and maintenance of a small arts and crafts business. The artists and craftswomen are overcoming and managing the dual challenges of homelessness and mental illness. The business started over ten years ago when a volunteer taught some members a particular way of making greeting cards and jewelry. We then realized a wealth of artistic talent among Daybreak members and opened up our building for community sales. The majority of the proceeds return directly to the hands of the creators and the remainder helps the business move forward. We now have a permanent store located in our new building, four open-house sales a year, and travel to art fairs and to various community events.
*Annual Spring Sale, May 6th and 7th! Go support these women!!
To continue the growth of our business, we are gearing up for our online presence on OPCC’s website and we will gladly partner with events throughout Los Angeles to sell our items.
Pamela
Greg:What are some of the successes you have seen so far with women selling their work?Amy: A number of members have been able to incubate their business at Daybreak Designs and then be able to go out on their own. One in particular has her own website and sells her items privately. Most of the members spend the majority of their monthly benefits on housing costs. The added income from Daybreak Designs helps supplement limited incomes and helps the women enjoy life more on their own terms. Many of the members never believed that anyone would appreciate their work; therefore, the business helps increase self esteem and determination.
Pamela, Linda, and Dasha are women who arrived at Daybreak with different stories, but are now ardent entrepreneurs creating and selling their art.Pamela- I developed my mental illness during the 80’s while on an overseas program in Germany. I came to Daybreak with a reference and stayed approximately one year. I am a student, taking art, dancing and other subjects that help with self-esteem. My present focus is helping children and adults in that area. I am writing with the intention of creating books, centered on self-esteem also included is the teaching of languages.I recently, within the past few years, have taken jewelry making, etching, painting, ceramic…classes, widening my artistic perception. I now silversmith, bead…creating wonderful pieces of art. I love to nurture this side of my brain, as I have been more of an intellect.
Linda
Linda Abbott: I lived with depression for forty years, and ended up living on the streets in Santa Monica. After being hospitalized for my depression I was referred to Daybreak Shelter, became involved in Daybreak WIND (Women in New Directions) program, from there I became a Daybreak Designs artist/ member. Daybreak has been a crucial part in helping stabilize and through the program I have obtained permanent housing and continue to live in my apartment.Since moving into my apartment I became more involved in Daybreak Designs, serving as secretary even President of Daybreak Designs.
Greg: Tell us about the process behind your creations?Pamela: My designs are inspired from images in/from my mind. I put my supplies in front of me and give birth. I love handmade items that show originality, taste and personality. It rarely takes more than a day or two to finish a project. I pour silver, make templates, bead… I create with the intention of my customers enjoying my artistic expression. I want images of myself dangling from the human body.
Linda: My real passion in life is caring for orphan kittens and placing them with loving families. My creativity has always been a part of me through crocheting. I started creating gems trees in 1994. In making the gem trees I usually have a general idea of what they will look like, however the tree tends to develop and grow on their own. I use craft wire and semi precious gem stones.When depressed I see everything as ‘UGLY and HOPELESS,” the tree reminds me of God's unconditional love and all the beauty we can find within each of us. All we need to do is look for it!
Dasha: I use the computer, camera – for multimedia; amber, leather, etc. – for jewelry; acrylics- painting.Her website.Greg: Who has supported your vision so far by purchasing your work? Pamela: My customers are a product of Daybreak Designs.Dasha: I don’t know them.Linda: I created my crafts for pleasure and to give as gifts to family and friends. It took Daybreak, and my healing process to believe that people generally liked them and it was something they would want to buy. People tell me how much they enjoy the items and this builds my self esteem and makes me feel worthy.
Greg: What is one of your dreams for the future?Linda: My dreams for the future ~ have loving homes for all the homeless kittens, and to be self supportive.Pamela: A dream is to be a designer of authentic outstanding jewelry, selling to please my customers, they are always right. I would prefer a large scope, ranging from young to old, rich to poor, serving all magnitudes.Dasha: Helping as many people as possible to start celebrating their lives.
Greg: Amy, any final words?Amy:OPCC is in the business of saving lives. We have been providing extensive services on the Westside of Los Angeles for nearly 50 years. We pride ourselves in doing the hard work to create better policy and to end atrocities like homelessness. We do this one individual at a time and we see deep and lasting positive changes in this way. We also do this on a political level so that oppressed individuals are not overlooked for lack of money, for lack of a home, or because of a disability.
Thank you Amy, Pamela, Linda, and Dasha! You are truly inspirations of the heart and a reminders that there is a beautiful potential in each of us.To your empowerment and prosperity,Greg
Harry Houdini was not only a consummate escape artist and entertainer, he was a master promoter. This man knew how to market himself in a big way. There is a show opening at the Skirball Cultural Center on April 28, "Houdini: Art and Magic," that highlights not only the man's craft as a magician/performer but also showcases his understanding of how he used the media to ramp up exposure. An article in the LA Times talks about his mastery of marketing, how he "often performed for free in front of newspaper offices to enormous crowds — and newspaper photographers — on the eve of his paid performances."He would even hire his own cameramen to film his escapes for use in his lectures, says art curator Brooke Kamin Rapaport."In his day, Houdini was so famous not only because he was a master showman on stage but also because he was able to promote his work to a broad public," says Rapaport. "His significance endures because of the visual record — the posters, photographs, film and magic apparatus — that we have today." More here.The tools of promotion have changed but conjuring the magic of marketing is still the goal. How to pull attention to yourself, make yourself interesting to others. It is my belief that standout artists present their talent and heart to the world with authentic passion. Houdini so wanted to be an entertainer he ran away from home at 12 to join the circus!Are you ready to run toward your dreams and goals of being an artist on your own terms?Peace and prosperity,Greg
Dodge College of Film and Media Arts launches a for-profit movie company to train its students.
I have been talking about the coming of the micro studio for years. The future of entertainment will shift to smaller teams of individuals. Bob Bassett, Professor and Dean at Chapman College is doing it! The students will benefit greatly. Check out this LA Time article about his vision.To your creative empowerment,Greg
Mark Murphy is a champion of the artist. He publishes books about them "Murphy Design", makes films about them "Scribble" , and creates shows for them "Survey Select".
Now it is time to celebrate Mr. Murphy!
There is an opening of his one man show, “Plug Me”this Friday at Subtext. Opening reception April 15 6PM—10PM at 2479 Kettner Boulevard, San Diego, CA 92101
I asked Mark some questions about his vision, art process, and promotional tactics for Plug Me.
How long have you been creating your own art pieces?
The creative pursuit began in my sketchbooks. Crude meanderings that celebrated the concept of everything living have eyes to see. And it was my sincere attempt to better understand the artists I work with and a tireless process to uncover an individualistic voice.
Tell me something about the evolution of this work over the years?The work began in sketchbooks sent to me by Don Kilpatrick in 2006. I started by putting an ink pen to paper, focused on line quality and continued on the theme mentioned above. Most times, the pen meandered, unrehearsed to find a cast of nebulous characters that could be built upon time and time again. The work is all about taking chances and trying something new each day—typically at night after the graphics and publishing is completed. I think the work started evolving in December of last year, as I decided to incorporate different printing and keylining techniques and incorporate them into the mix.
“Plug Me” is a collection of one-of-a-kind block and letterpress originals, as well as a showing of drawings and watercolors. What is the concept of the show exactly?“Plug Me” is a thematic show that features a whimsical response to the rate of change experienced by all life based on political, socio, economic, religious and environmental effects. Or “a spewing of a force so strong that it is knocking our planet off of its axis.” “Plug Me” is also a term of endearment for the exhibit that invites the insertion of a stopper directly into the problem to stop the leakage.Sizes range from 2” square to 16.” Smaller work was created for this show at Subtext in San Diego to encourage interest from new collectors. There are 42 framed pieces and many print experiments packaged with a letterpress header card and inserted into a poly bay with certificate of authenticity.The block prints were created by carving one non-rehearsed image out of the block and applying the finished image over colored block areas that I had previously prepared with brightly mixed inks. Between you and I, there were over 80 carvings and at least half were scrapped. All of the final pieces in the exhibit are unique pieces or 1/1 artist proofs.
Please share some details about the process of making the block and letterpress originals.Patience and slow cutting strokes with the carving tool for the block prints, whether linoleum, Staedtler carving blocks or wood. With letterpress working with others is great, as it speeds the process, clean up and helps out with the machinery, as it takes time to get to know the press you are working on. I utilized old Vandercooks in Cleveland at Zygote Press with Cathie Bleck and Detroit at the College for Creative Studies with Don Kilpatrick.
What type of materials do you use, papers, inks, etc.?All archival art making materials with found materials. Rives BFK White, 250 gm is a great paper for watercolor, dies and letterpress or block printing—thick and a premium quality paper. I love the way this paper responds to any level of moisture, pressure or ink color.Inks are water and oil based from Daniel Smith. (Dense colors that often take some getting used too). Koh-I-Noor Rapidiograph pens, high-quality brushes, M. Graham & Co. cadmium based Artists’ Watercolors, Neutral pH Adhesive by Lineco and Japanese colored ink pens (filled with liquid ink and flows out of a acrylic brush pen) and Japanese metallic watercolor trays too. For scraps of ephemera, old matchbooks, comics, prayer cards, deeds, notes and whatever I can get my hands on in my “save and use later” box of miscellaneous materials. The framing company, which I thought was a good one, Custom Frame Solutions. Enter the sizes, and they have been turning around large quantities in 5 days. Crazy.Here is a coupon if you are interested: http://www.curebit.com/o/d/5tMot
Are you promoting your show in any new ways that other artists can learn from?Twenty years of promoting and it is hard to keep up to be honest. Facebook events used to be a sure thing but everyone is going “LIKE” crazy these days since the advent of Google tracking “LIKES” for indexing rank. Twitter and Tweet Deck are 2 powerful tools that artists typically do not utilize enough. Syndication of a controlled sampling of images on Facebook, Twitter, and media outlets—Lee Joseph Public Relations, San Diego Tribune, AI-AP, Sezio, Society6, FecalFace, Ninthlink, Greg Spalenka, friends Tweeting and Facebooking and non-stop updates with the gallery, Subtext—they do a great job too. Last but not least the blog in combination with email blasts. Try to do 2-3 articles on the blog per month about the show with one major email blast to 32k worldwide with 280 to specific media contacts. In short, a planned distribution of information over 3 months to friends, local media contacts, email list, Facebook event pages, Tweets, TweetDeck Syndication, Linked In posts, and personal invitations through the mail.This is my first solo show at Subtext and I am applying the same strategy that has evolved over the past 20 years. Does it work? Hopefully, I get it right this time out.
Any other cool events you are creating/attending after this one?Yes, I participate at Comic-Con in San Diego each year, booth No. 4833 and have worked on printing over 500 unique prints thus far and have planned a series of letterpress zines and unique artist items and books. During the event, an exhibition at Noel-Baza Fine Art Gallery in San Diego, July 28 through end of August featuring 36 fine artists from around the world in a thematic exhibition entitled, “Lucid Dreams.” Working on finishing my second fine art documentary in time for Comic-Con too.If you can make it to the San Diego area this Friday or for the duration of the show, check it out! I bow to your Art Spirit, Mark. You are an inspiration to us all.PeaceGreg
Google's settlement with authors and publishers has been tossed out, shining a spotlight on copyright law.
I have been following the Orphans Works and Google digital library showdowns for a while now. These issues are important for all creators who copyright their work to protect it from unauthorized use. In a nutshell the Orphans Works issue concerns books, illustrations that are out of print and authors or artists who created them but cannot be found easily. Companies like Google and other large image houses like Corbis Images would have no problem selling that work without compensating the creator.
The Google Digital Library falls into this category too. The idea of a world wide digital library is an awesome concept. However whenever there is a corporation involved you can bet that there must be a profit margin plugged into that idea. The beauty and power behind libraries is that they share knowledge for free, or next to it. Google wanted to charge you for that privilege. Plus did they really attempt to contact all the artists, authors, and estates that may be connected to the deceased ones? Probably no.As the Illustrators' Partnership comments, "The $125 million commercial agreement would have rewarded Google and the US Authors Guild for the largest mass infringement of authors' copyrights in history. Instead, the judge ruled it a business deal "too far."Learn more about Orphaned Works here.Read more about the Google Court Case here.To your creative empowerment,Greg
The 21 Best Resources from the Business Blogosphere
Etsy's Blog is called The Storque. Daniel Lexo is the editor and she puts together some great articles that champion small independent businesses, especially of the art and crafts world. I thought this post had some great resources in it. Check it out. This article came out end of last year but the resources are still good ones."With so much content out there on the web and so many experts out there telling you how you can and should run your business, it's easy to feel overwhelmed. Where to start? Who to listen to?"PeaceGreg
TRANSFORMATION
About 20 years ago I took an inner child workshop with a wonderful therapist, Dr. Nicki Monti. Dr. Nicki's core virtue is truly in service to people and their well being. We kept in touch a little over the years, but when I created AAB I felt we might want to reconnect as passionate devotees of the art spirit. Nicki invited me to manifest a special class with a talented group of amazing individuals who were taking a year long course with her called Metamorphosis. Metamorphosis is all about understanding and embracing three forms of love. Personal Love, Other Love, Divine Love.I decided to create vision boards with them that reflected these attributes. Wow! The boards they created were very personal and powerful statements of the love living inside them. I was very impressed with the honesty and time put into them. The pieces were very personal, so I will not be sharing them with you, but it confirmed that diving deep inside yourself for the truth of who you are can yield tremendous results. Inside us all resides an intimate power that can be tapped into and used in the world. Love is the key.Thank you Nicki for allowing me to spend time with such gracious and loving souls.To your transformation!Greg
Fresh story ideas are a tough sell in Hollywood...
The five films that were up for original screenplay in this years Oscar race all had long, difficult paths to the big screen. Nicole Sperling wrote a piece for the Los Angeles Times on the difficult time writers have pitching new stories to Hollywood. However taking their time has allowed some writers and directors to create personal films that found a following without the Hollywood machine.
"Look at films like 'Inception,' 'Black Swan' or 'The Kids Are All Right' -- these are all completely original pieces from writer-directors who are themselves a brand," independent producer Jacobson said. "I think there is an audience appetite for original material from filmmakers who are willing to create something without the infrastructure of the studio. Working that way has become a great source of originality and invention."More...
I met Shaun Tan five years ago in NYC at a dinner with Roxana, Donato, Irene Gallo, and John Jude Palencar. Shaun's picture book 'The Arrival" had recently been published and was winning awards. Who would have guessed that five years later he would receive an Academy Award based on another picture book he published that year called "The Lost Thing"! Congratulations Shaun! See more at the website HERE.
Another fine example of creating a product that is uniquely your own and translating it into another format with stellar results! Good stories fused with an artful imagination are timeless. Keep making art!
To your creative empowerment!
Greg
Edutainment (also Info-tainment or entertainment-education) is a form of entertainment designed to educate as well as to amuse. This is an awesome way to explain subjects of intellectual interest. The message here is one I lecture about, and find very important in the context of preparing our children to live and thrive in a changing work environment. We have been taught a specific educational paradigm for a long time, and it's time to wake up to other possibilities.
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To your art spirit and prosperity,Greg